Welcome to Sound Projects

Sound, Noise, Silence, and Music - how do we define them? When we listen to these elements critically, how can we use them in our own work with an awareness of their social and political functions? This course will explore developments in sound art from the early-20th century to the present, to cultivate a critical ear for listening and creating. We will listen to work by artists who have blurred traditional boundaries of music, science, design, fine arts, and philosophy, and read critical writings in cultural studies, sound and media theory.

2007-12-12

Indeterminacy in Music ( John Cage )

Hi to all,


I found an interview done with John Cage, very easy to read. Maybe you already know but I hope you enjoy it. He talks about indeterminacy in this interview. Each composer has different perspectives on it as far as i understood. (Cardew, Cage, Stockhausen )

With the shift toward the experimental music period, composers are relinquishing some control of the composition. They create music with the elements of indeterminacy, we can say in some aspect, they are using the chance factor. Thereby, it begins to become so important to what extent the composer generates the randomness and controls the structure.


http://www.fzmw.de/2001/2001T3.htm. ( There is a pdf format of the interview, which is much much better to read.)



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